Mona Fastvold’s rugged period romance, The World to Come, is adapted from Jim Shepard's 2017 short story of the same name and premiered in competition at the Venice International Film Festival.
In eighteenth-century upstate New York, Abigail (Katherine Waterston) is increasingly defeated by grief and the drudgery of rural life. Her deference and propriety maintain a mundane equilibrium with her husband Dyer (Casey Affleck), but her narrated dairies offer a picture into a richer internal life. When spring brings newcomers Tallie (Vanessa Kirby) and husband Finney (Christopher Abbott) to the otherwise empty landscape, the journal entries frantically anticipate—and then enthusiastically document—an affair with Tallie. As menial machinations are interrupted and patriarchal sovereignty are questioned, both marriages buckle. The wives’ connection is threatened, but Abigail and Tallie’s love for each other is steadfast, onscreen and in handwritten pages.
Fastvold exquisitely captures the oppression of settler life while adopting a devoutly literary approach to portray her protagonist’s internal life, striking a transportive balance between warmth and chill.
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