1. Home
  2. RUTH FILMS
  3. THE MUSEUM

THE MUSEUM

HAMUZEON

By Ran TAL

RUTH FILMS - as SALES All rights, World

Art - Culture - Completed 2017

Housing one of the world’s greatest collections of art and antiquities, the Israel Museum poses for its own complex portrait in this elegant observational documentary, revealing its central role in the complicated narrative of the nation.

Festivals
& Awards

Jerusalem Film Festival 2017
Toronto Jewish Film Festival 2018
David A. Stein Award for Best Documentary
Washington Jewish Film Festival 2018
FILAP 2018
Official Competition
Berlin Jewish Film Festival 2018
Museum of Fine Arts Boston 2018
Musée d'art et d'histoire du judaïsme de Paris 2018
Hong Kong Jewish Film Festival 2018
See all
Login to view all information
    • Year of production
    • 2017
    • Genres
    • Art - Culture, Documentary
    • Countries
    • ISRAEL
    • Languages
    • HEBREW, ENGLISH, YIDDISH, ARABIC
    • Duration
    • 72 mn
    • Director(s)
    • Ran TAL
    • Producer(s)
    • Amir HAREL (Lama Films), Ayelet KAIT (Lama Films)
    • Synopsis
    • Housing one of the world’s greatest collections of art and antiquities, the Israel Museum poses for its own complex portrait in this elegant observational documentary, revealing its central role in the complicated narrative of the nation.

      Sitting high on the brow of a Jerusalem hill directly opposite the Knesset, the sprawling institution—now more than half a century old—contains nearly half a million objects, from the Dead Sea Scrolls to Crusader armor to masterpieces by Rembrandt and Marc Chagall. A less ambitious film would provide a hit parade of the museum’s contents. Instead, The Museum is wisely constructed as a set of loose encounters with its human inhabitants.

      We eavesdrop on the curators, museum guards, archaeological conservators, visiting schoolchildren, and even the resident rabbi, who together form a kaleidoscopic picture of the way art, history and national destiny intersect in the galleries. Director Ran Tal (Children of the Sun), while showcasing the deep artistic and educational values that underlie the museum’s work, also gently exposes its ideological fault lines: we watch an Army docent use the museum’s archaeology to indoctrinate her trainees, while Arab and Jewish curators wrestle with the moral implications of displaying Palestinian artifacts. Through it all, the Israel Museum emerges as a shining example of a nation’s highest aspirations for itself.


Top
Contact us
© Cinando(2024).com
All rights reserved. 3.0.0.0 - SOIF