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SLAUGHTER

MASSAKER

By Monika BORGMANN, Hermann THEISSEN

DSCHOINT VENTSCHR FILMPRODUKTION - as PROD

Documentary - Completed 2005

In 1982 between 1,000 and 3,000 civilians were murdered in the two Lebanese Palestinian camps Sabra and Shatila. The perpetrators primarily originated from the ranks of the Forces Libanaises, a Christian militia affiliated to Israel.
A psycho-political study of the phenomenon of collective violence.

- Year of production
- 2005
- Genres
- Documentary
- Countries
- GERMANY, SWITZERLAND, FRANCE, LEBANON
- Languages
- ARABIC, ENGLISH
- Duration
- 98 mn
- Director(s)
- Monika BORGMANN, Hermann THEISSEN
- Writer(s)
- Lokman SLIM, Monika BORGMANN, Hermann THEISSEN
- Producer(s)
- Joachim ORTMANNS (Lichtblick Film), Werner SCHWEIZER (Dschoint Ventschr)
- Synopsis
- Between September 16 and 18, 1982, for two nights and three days, the killers of Sabra and Shatila went about their heinous crimes. In the end, they had murdered between 1,000 and 3,000 Palestinian civilians, predominantly women, children and old people. The precise number of victims – both those killed and those missing – is not known to this very day. The perpetrators primarily originated from the ranks of the Forces Libanaises, a Christian militia affiliated to Israel. The logistics for this massacre were provided by the Israeli Army, under the auspices of the former Minister of Defence and current Minister President, Ariel Sharon. In 1982, the massacre in the Lebanese Palestinian camps deeply shook the public throughout the world, but today it has been (almost) entirely forgotten. This is despite the fact that it is a role model for all the massacres that followed: for example that in Rwanda or those committed during the Yugoslavian wars. Again and again, the unanswered questions surface: what drives people to such excesses of brutality, and how are the perpetrators able to live on? Massaker is – both in contents and aesthetically – a psycho-political study of six perpetrators, who participated in the massacre of Sabra and Shatila both on orders and on their own personal initiative. The film intertwines the mental dispositions of the killers with their political environment and broaches the phenomenon of collective violence through their accounts.