Lhamo and Skalbe fail to register their marriage because Skalbe is already engaged in a legal conjugal relationship. Skalbe embarks on a journey to search for his so-called ex-wife Tsoyag, only to find with surprise that the girl had renunciate her secular life already when she broke the promise four years ago. Tsoyag’s identity causes great difficulty to Skalbe. Meanwhile, Lhamo acts estranged and confusing. She is busy with the rehearsal of Tibetan opera, Epic of King Gesar, representing the heroine protagonist Atak Lhamo who fell into hell sinfully. A buried secret brings her fear to the character and anxiety of marriage.
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