LE GRAND CAHIER (A.K.A. THE NOTEBOOK)

A NAGY FÜZET

By János SZÁSZ

BETA CINEMA - as SALES All rights, World

Drama - Completed 2013

On the Hungarian border, two young brothers grow up during war time with their cruel grandmother and must learn every trick of evil to survive in the absurd world of adults.

Festivals
& Awards

Toronto - TIFF 2013
Contemporary World Cinema
Fest. Européen des Arcs 2013
Competition
    • Year of production
    • 2013
    • Genres
    • Drama
    • Countries
    • GERMANY, HUNGARY, AUSTRIA, FRANCE
    • Languages
    • HUNGARIAN
    • Duration
    • 110 mn
    • Director(s)
    • János SZÁSZ
    • Writer(s)
    • Andras SZEKÉR, János SZÁSZ
    • Producer(s)
    • Pál SANDOR (Hunnia Filmstudio), Sandor SÖTH (Intuit Pictures GmbH)
    • Synopsis
    • Towards the end of World War II, people in big cities are at the mercy of air raids and death by starvation. A desperate young mother leaves her 13‐year‐old twin sons at their grandmother’s house in the country, despite the fact that this grandmother is a cruel and bestial alcoholic. The villagers call her “the Witch” because she is rumored to have poisoned her husband long ago. Previously pampered, the twins must learn how to survive alone in their new, rural surroundings. They realize that the only way to cope with the absurd and inhumane world of adults and war is to become completely unfeeling and merciless. By learning to free themselves from hunger, pain and emotion, they will be able to endure future hardships. So they begin their own series of studies: they fortify their spirits by reading the Bible and learning foreign languages. They practice every day to harden their bodies and minds. They hold their hands over flames, cut their legs, arms and chests with a knife and pour alcohol right on their wounds. They desensitize themselves to insults and learn to ignore the more insidious appeals of sentiment and love. The twins keep a written record of all they have witnessed during the war, Le Grand Cahier. When they write, they follow their own strict code: The prose must be free from emotion, the notes precise and objective. Over time they are initiated into the corruptions and horrors of a war‐torn world. They have to listen to a lecherous priest’s hypocritical avowals of faith, they watch soldiers herd refugees to their death and witness the selfish cruelties their neighbors inflict on one another. As the war ends, the “Liberation” brings the worst moments of all: their village and their few relationships are plagued by rape and suicide. Their mother returns for a brief, gruesome reunion and their father follows suit in a final tableau involving patricide and opportunism, leading to the twin’s ultimate separation.
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