Trim MUSLIU (Cineproduction), Senad ABDULI (Arnel Production)
Agron was long considered dead. His army buddies saw him die during the Kosovo conflict, and thus his return home is beyond surprising. Joy, however, soon shifts to a consideration of practical problems, and the man is forced by a variety of circumstances to remain dead – at least officially. His home thus becomes the backdrop for a portrayal of the myriad problems facing postwar society.