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D.A.P. INSIDE OTHER PLACES

D.A.P. DENTRO ALTRI POSTI

By Luca ANGIOLI

AQUINO GLOBAL LLC - as PROMO

Experimental - Completed 2019

Mr. Pascal is in the doctor's waiting room, and this expectation becomes a source of great anxiety, which he projects towards the other people in the room with him.

Festivals
& Awards

Meglio Matti che Corti (Italy) 2019
Official Selection
Mental Filmness (USA) 2019
Official Selection
Lisbon Film Rendezvous Winter Edition 2019
Official Selection
Aspettando Méliès Rassegna di Cinema Indipendente (Italy) 2019
Official Selection
Amsterdam Courageus Cinema 2019
Official Selection
281 Film Festival (Italy) 2019
Official Selection
281 Film Festival (Italy) 2019
Second Best Short Movie
Aprilia Film Festival (Italy) 2019
Official Selection and Multiple Awards
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    • Year of production
    • 2019
    • Genres
    • Experimental, Drama
    • Countries
    • ITALY
    • Languages
    • ITALIAN
    • Budget
    • N/A
    • Duration
    • 10 mn
    • Director(s)
    • Luca ANGIOLI
    • Writer(s)
    • Luca ANGIOLI
    • Producer(s)
    • L.a. DIRECTOR, A.m. STUDIO
    • Synopsis
    • Mr. Pascal is in the waiting room of a doctor waiting to be visited, and this expectation immediately becomes a source of great anxiety, which our protagonist projects towards other people in the room with him. The announcement by the doctor's assistant of a delay by the latter triggers a real panic attack, which turns into a hallucinatory and hypnotic journey in the lives and minds of all the people present in that small room.
      D.A.P. is an Italian acronym that is used to indicate a disturbance of a psychological nature and that means precisely Disturbo d’Attacco di Panico (in English P.A.D. Panic Attack Disorder). For the title of this short film the meaning of the acronym is transformed into “Dentro Altri Posti” ("Inside Other Places" in English), to indicate the numerous "jumps" that the protagonist does in the minds of the people who are with him in the room where the whole story of the short film begins.
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